Materials Spotlight: The Montessori Bells

October 28, 2024

Music is a form of language. Because our young children effortlessly absorb language, we, of course, provide them with opportunities to express themselves musically! One key material we use for this is the Montessori Bells.

The bells are perfectly tuned, each designed to deliver a distinct, pure tone when gently played with a mallet. Also aesthetically pleasing, the bells invite children into the world of music. This helps children develop a keen ear for pitch and tone, while encouraging an appreciation of musical instruments and expression.

The Montessori Bells

In our primary classrooms, the Montessori Bells are easily accessible on a specially designed wooden stand or table, each bell arranged in order according to its pitch.

There are two sets of 13 bells. One set has black and white stands and is set up in the back to serve as a control and is arranged like a piano keyboard (the white bells represent whole notes, while the black bells serve as the sharps and flats). The other set of bells has stands of natural, varnished wood, so we call them the brown bells. Each brown bell is paired with a white or black bell, and these 13 pairs of bells comprise the chromatic scale beginning at middle C.

The bells sit on boards that also serve as guides. The brown bells rest on a pattern of black and white rectangles corresponding to the keys of a piano.

Playing One or Two Bells

After our youngest children have learned how to care for materials and have had plenty of experience discriminating sounds with our sound cylinders, we show them how to play a single bell. This is a multi-part process: how to carry the bell, use a mallet to gently strike the bell to make a tone, appreciate the sound the bell makes, use a damper to stop the tone, and return the bell to its proper place in the set.

Returning the bell to its proper place prepares children for future work of pairing and grading the bells. So, we take time to model how to check that the tone of the brown bell matches the corresponding white (or black) bell behind it.

Once children learn these steps, they can select any of the brown bells to play. Eventually, we also show children how to choose and play two different brown bells. This experience helps children focus on the fact that the two bells look the same but sound different. Then, upon returning the bells to the set, children also get to work on finding where each brown bells goes (because there are two empty spaces) by matching the tone of the brown bells to the white or black bells in the back.

This may seem like quite an elaborate process for just “playing a bell or two.” However, we carefully break down each step so that even our youngest children can learn how to use this delicate instrument with precision while also beginning to hone in on the slight variations in each bell’s pitch.

Pairing

When we observe children’s success with this initial process, we introduce the challenge of pairing. This experience begins with the adult letting the child know in the lesson that the bells are on their boards in a particular order. We play up the brown bells and down the white bells so the child can hear the gradation and experience the impression of the C scale. Next we model how to remove four brown bells from their boards, mix them, and place them in an open space off to the side.

While showing this process, we reflect aloud how we could match the brown bells to their pairs when we had just two bells. We point out that we can use the same technique to find the matching pairs of the bells we just mixed up and moved to the side.

We start by moving one of the brown bells to a space in front of the first empty white space (always working from left to right). We play the white (control) bell and then the brown bell. If they sound the same, we move the bell up onto the white space on the board. If they sound different, we slide the bell to the right to be in front of the next empty white space and we repeat the process until finding the brown bell’s match and location. When all the brown bells are paired, we again play up the brown bells and down the white bells to check they are in the correct order.

Once we finish modeling, we select the same four bells, mix them to the side of the workspace, and invite the child to pair the bells. We stay long enough to see successful matching of the first bell, then we fade into the background and observe. If the child is successful, we remove the same four and invite the child to do it again. If the first round was successful, we invite the child to remove all the brown bells and pair them!

Grading the Diatonic and Chromatic Scale

After children can pair all eight bells successfully, we introduce grading. This time, children learn how to put all the brown bells in order by paying attention to the degree of difference between each tone. This time, rather than using the white control bells to determine the order of the scale, children mix up and play the brown bells, using their awareness of the change in pitch to compare and reorder the bells. This requires children to have an acute awareness of each tone and how they differ. We start with just the white bells which represent the whole notes, and later introduce mixing in the black bells to make the chromatic scale (with sharps and flats).

Language Material

After children have successfully paired and graded the diatonic scale, we also introduce the “writing and reading” component of the bells. Children learn the symbols and names for the pitches and match the pitches with their notes.

When writing in language, we have thoughts we want to express and we can write them down. Composers have melodies in their heads and they write those melodies by using the notes of the staff.

We use beautiful staff boards with small wooden circles so that children can learn how to place the notes on the staff and eventually even write their own music, similarly to how they write with the moveable alphabet. Like with spoken language, children first explore through writing and then reading melodies.

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How Montessori Makes Long Division Make Sense

By Danielle Giordano • March 23, 2026

For many of us, we remember learning long division as a confusing sequence of steps to memorize and repeat (bring down, divide, multiply, subtract), often without a real sense of why it works. In Montessori classrooms, long division unfolds very differently. Through the Racks and Tubes material, children get to experience what division actually is. Two Ways to Divide: Sharing and Grouping Before introducing the material, we first clarify an important idea: there are two different kinds of division problems in real life. One asks, “If I share this equally, how much does each person get?” This is partitive division, or division by sharing. The other asks, “If I make groups of a certain size, how many groups can I make?” This is measurement division, or division by grouping. The Racks and Tubes material focuses on partitive division. Children physically share quantities equally and discover what one share receives. Materials like the Stamp Game emphasize division of measurement. Together, these approaches give children a complete understanding of division and help them choose the strategy that best fits a given problem. What Are Racks and Tubes? At first glance, the material is impressive and a little mysterious. Children are often drawn to the material, both for its beauty and its seeming complexity. Racks hold test tubes filled with beads, carefully color-coded by place value: units, tens, hundreds, thousands, all the way up to millions. Matching cups hold the dividend (the number being divided). Boards and skittles represent the divisor (the number doing the dividing). Every detail of the material reinforces place value. Each time children need to make an exchange, they trade in one bead of one category for ten of the next category (e.g. one hundred becomes ten 10’s). This process is visible and incredibly concrete. This material takes intentional focus. It takes time. And it makes the steps of long division clear. How Long Division Becomes Concrete When children solve a division problem with Racks and Tubes, they follow a logical, embodied process: They build the dividend using the racks and cups. They represent the divisor with individual figures on boards. They share beads one at a time, equally, to each part of the divisor. They stop when sharing is no longer possible and then see what remains from that category. They then bring down the next category of beads to continue the sharing process. Each step answers a real question: What does one unit get? What happens when we run out? What do we do with what’s left? Instead of being told “bring down the next digit,” children literally bring down the next category of beads. When exchanges are needed, they perform them physically by trading beads. Remainders are not mysterious leftovers. They are beads still sitting in the cup. Long division becomes a story children can follow. From Material to Abstraction One of the most beautiful aspects of this work is how naturally it leads into abstraction. At first, children record only the quotient. Later, they begin recording intermediate remainders. Eventually, they discover that multiplying the quotient by the divisor tells them how much has been used at each step. This is the very heart of the traditional algorithm. We don’t give abstract shortcuts. Instead we help children discover the pattern. This allows them to own the process. By the time children are working abstractly on paper, the algorithm already makes sense. It matches what their hands have done again and again. Why This Matters The Racks and Tubes material does more than teach division. It teaches: Deep place value understanding Logical sequencing Patience and precision Trust in one’s own reasoning Most importantly, it gives children confidence. Division is no longer something done to them. Instead, they can think through the process, step by step, with meaning and understanding. In Montessori, math is not about getting the answer quickly. It’s about building an understanding of why the process and answer makes sense. And with Racks and Tubes, long division finally does! Schedule a visit to our classrooms in Old Saybrook, CT to see for yourself!

The Power of Presence: How Adults Shape Learning in the Early Years

By Danielle Giordano • March 16, 2026

In Montessori, we often focus on how the environment educates the child, but just as powerful as the physical space is the presence of the adult within it. For children in the first three years of life, adults are not simply caregivers or teachers. We are models of movement, language, emotional regulation, and relationships. Being present with young children is about being present in a different way. From Birth to About 14 to 16 Months Infants are forming their earliest understanding of the world and of themselves. They observe everything! So the adult’s role requires a quiet strength and a deep level of self-awareness. To be present with infants, we must love without expectation. Infants are not able to return affection in predictable ways, and presence cannot be dependent on feedback or validation. This work requires patience, generosity, and emotional steadiness. Movement also matters deeply at this stage. Infants study how adults walk, reach, sit, and handle objects. Slow, intentional movement gives children something meaningful to absorb. When adults rush, babies feel it, even if they cannot name it. Our language, too, must be precise and respectful. Clear enunciation and specific wording help infants build an accurate internal map of their world. Vague language like “that” or “over there” offers little clarity. Instead, we want to name what we see and what we are doing: “I am placing the cup on the table.” Infants cry as their primary form of communication. Being present means responding without panic or frustration, and making thoughtful decisions even when there are multiple demands on our presence. Emotional regulation in adults becomes a sense of emotional safety for the child. Dynamic Toddlers As children grow into toddlers, our presence still needs to be very intentional, yet it also becomes more dynamic. While toddlers are building independence, they still need deep connection. For adults, this means remaining loving without demanding affection or closeness. Even physical affection requires consent: “Would you like a hug?” or “Do you need some comfort?” Respecting children’s autonomy builds trust and self-awareness. This stage is full of transitions, especially for children navigating new siblings, new communities, or a growing awareness of others. Sometimes toddlers want to be capable and independent. Then sometimes they want to be cared for like a baby again. Presence means honoring both without pushing the child prematurely in either direction. Limits are a key expression of presence. Clear, consistent boundaries create structure, and structure supports independence. A few simple rules, maintained calmly and consistently, help children orient themselves in the world. If power struggles emerge, we can use them as opportunities to reflect on control rather than behavior. If children have tantrums, presence means staying close without escalating. During the height of anger or upset, we may simply ensure safety. When a child moves into sadness or overwhelm, we can offer comfort and reassurance. The goal is not to stop the tantrum, but to support a child through it. Flexibility is another essential part of presence. Although routines give children a sense of security, rigidity can disconnect us from their real needs. Sometimes the best choice is to go outside, to move, or to shift the plan. When children feel secure, they can adapt, and so can we. Finally, presence means embracing life alongside children. Young children notice the world with fresh eyes. Weather, seasons, light, and movement all become sources of joy and wonder. When we allow ourselves to feel awe again, children experience validation that life is something rich and meaningful. Our Inner Work Being present with young children is demanding, not because of what children require, but because of what we must bring: patience, humility, emotional regulation, and a willingness to slow down. This work invites us to become more aware of ourselves: our language, our pace, our reactions, and our assumptions. In doing so, we offer children not just care, but a living model of how to be human in relationship with others. Presence is not perfection. It is mindful attention. And for young children, that attention becomes the foundation upon which everything else is built. Please visit our school in Old Saybrook, CT to learn more about how we think about the role of adults in children’s learning environment! .

Language Revealed: The Montessori Journey to Understanding Pronouns

By Danielle Giordano • March 9, 2026

When children begin working with pronouns in Montessori, they are not learning something entirely new. Instead, they are bringing to consciousness language they already use every day. Pronoun work builds slowly and intentionally. It is not about mastering grammar rules, but about understanding how language functions and how meaning is carried when words stand in for one another. Beginning With Experience, Not Explanation Montessori pronoun work begins with movement and spoken language, not written grammar. We start with little oral games to highlight how a pronoun functions, sometimes eliminating the pronoun (“Josie and John and Jack and Josiah are walking around the table.”) and other times emphasizing the pronoun (“They are walking around the table.”). The children love acting out the phrases, sometimes chanting, moving, watching one another, and laughing. Through these physical experiences, they begin to notice that we don’t always use names when we speak. Certain words take the place of a noun, and the meaning is still clear. At this stage, we don’t offer the term pronoun because we want children to simply experience its function. From Movement to Sentences Once children are ready for more structured language work, we introduce them to the Pronoun Grammar Box so they can build and rebuild sentences using color-coded cards for each part of speech. From one sentence to the next, only a few words change as nouns get replaced by pronouns. By comparing sentences, children discover that although the word changes, the sentence still makes sense. This comparison is essential. Rather than being told what a pronoun is, children see what it does. We then invite children to add grammar symbols to the sentence (noun, article, adjective, verb, preposition, adverb) until we finally draw attention to the remaining word: “This word is used in place of a noun.” Only then do we introduce the pronoun symbol: a purple isosceles triangle, the height of the noun symbol. Montessori Lore: The Pronoun’s Story There’s a beloved story about the pronoun symbol. Long ago, the pronoun was shorter and a different color. Wanting to be as important as the noun, it stretched itself taller and taller to reach the same height. As it stretched, its base became smaller and it turned purple from the effort of standing in the noun’s place. It’s a poetic reminder of what children discover through their work: a pronoun depends on the noun, borrowing its meaning while standing in for it. Why Pronouns Come Later Pronouns are more abstract than other parts of speech. To understand a pronoun, children must already have a strong, concrete understanding of the noun. For this reason, pronouns (along with interjections) are typically introduced later than other grammar symbols, often in the elementary years. Even then, one lesson is not enough. In Montessori, the real learning happens after the presentation, when we step back and children work independently with the material. The guide’s role is to show how to use the material, not to explain grammar in detail. Understanding emerges through repeated use. Deepening Understanding Through Play and Exploration As children grow more confident, the work expands to include: Transposition games, where pronouns are removed or replaced to explore how meaning changes. Command cards, which physically isolate pronouns through action. Personal pronoun charts, introducing first, second, and third person (singular and plural) through storytelling. The Verb Family, where children explore the close relationship between the verb, adverb, and pronoun. Children discover that pronouns often work closely with verbs, helping to carry action and meaning through a sentence. Subtleties Come Later At first, Montessori avoids getting caught in fine distinctions. Over time, children may explore nuances such as the difference between possessive pronouns (the book is mine) and possessive adjectives (my book). These discussions often happen later, sometimes with the support of grammar references, once children have a solid foundation. Language Revealed, Not Taught Through this carefully layered progression of movement, sentence work, symbols, and exploration, children develop a deep understanding of how words function differently in sentences. Montessori grammar invites children to discover how language works at their own pace through hands-on exploration. We don’t rush this process. So by the time children are ready to name the pronoun, it’s not a new idea. It’s something they already know. We invite you to visit our classrooms in Old Saybrook, CT to see firsthand the children’s joy of learning!